In some circles, there is a growing misconception that embracing Christianity means abandoning one’s cultural identity. But Dele Tomori proves otherwise. Through his ministry, Dele demonstrates that Yoruba culture and Christian faith are not at odds—they can coexist, enrich, and uplift each other.

A powerful example of this is his use of Esa, traditional Yoruba chants that are deeply rooted in storytelling, spiritual invocation, and cultural reverence. Dele has creatively transformed Esa into a Christian art form, using it to worship God, teach Biblical truths, and encourage moral uprightness.

Instead of erasing cultural practices, Dele refines and repurposes them for the Kingdom. “Culture is God’s gift to every people. What matters is how we use it. I use Esa to tell the story of Jesus in a way that my people can understand deeply,” he says.

Through Esa, Dele encourages Yoruba Christians to embrace their identity. He challenges the next generation not to reject their roots, but to reclaim them and let them become channels of divine expression.


Introduction
Many believe that Christianity requires cultural abandonment. But through his ministry, Dele Tomori demonstrates that Yoruba traditions like Esa can coexist with—and even enhance—faith in Christ.

🔹 Understanding Esa

Esa is a form of Yoruba chant used for storytelling, honoring, and teaching. Traditionally spiritual, it evokes deep emotion and respect.

🔹 Redeeming Esa for God’s Glory

Dele takes this art form and redirects its focus toward the Gospel. Instead of invoking deities or ancestors, he chants the greatness of Jesus, Biblical truths, and Christian values.

“Culture is God’s gift. It’s how we use it that matters.” – Dele Tomori

🔹 Breaking the False Divide

Dele’s work proves you don’t have to choose between Christ and culture. In fact, the two can enrich each other when handled with reverence and discernment.

Conclusion
Esa, in Dele Tomori’s hands, becomes a unique tool for revival. It speaks to the heart in a way foreign expressions never could.